Couperin: Apotheoses
Album by
London Baroque
25
1
2003.07.01
1:05:28
24曲
AWAで聴く
1
Le Parnasse, ou L'Apotheose de Corelli: I. Corelli at the foot of Mount Parnassus asks the Muses to welcome him amongst them.
London Baroque
2:20
2
Le Parnasse, ou L'Apotheose de Corelli: II. Corelli, enchanted by his favourable reception at Mount Parnassus, expresses his joy. He proceeds with his followers.
London Baroque
2:16
3
Le Parnasse, ou L'Apotheose de Corelli: III. Corelli drinks at the well of Hypocrene. His followers proceed.
London Baroque
2:42
4
Le Parnasse, ou L'Apotheose de Corelli: IV. Corelli's exaltation at drinking at the waters of Hypocrene.
London Baroque
1:03
5
Le Parnasse, ou L'Apotheose de Corelli: V. After his exaltation, Corelli now falls asleep; his followers attend with some very quiet music.
London Baroque
2:26
6
Le Parnasse, ou L'Apotheose de Corelli: VI. The Muses wake Corelli and place him next to Apollo.
London Baroque
0:53
7
Le Parnasse, ou L'Apotheose de Corelli: VII. Corelli gives thanks.
London Baroque
2:24
8
L'Apothéose de Lulli: I. Lully in the Elysian Fields making music with the spirits of the underworld.
London Baroque
2:32
9
L'Apothéose de Lulli: II. Air for the same.
London Baroque
2:22
10
L'Apothéose de Lulli: III. Mercury flies to the Elysian Fields to warn of Apollo's impending arrival there.
London Baroque
0:39
11
L'Apothéose de Lulli: IV. Descent of Apollo, who comes to offer his violin to Lully and a place on Parnassus.
London Baroque
3:14
12
L'Apothéose de Lulli: V. Subterranean rumblings caused by Lully's contemporaries.
London Baroque
0:37
13
L'Apothéose de Lulli: VI. Lamentations of the same for flutes or very muted violins.
London Baroque
2:28
14
L'Apothéose de Lulli: VII. Lully Is elevated to Parnassus.
London Baroque
1:02
15
L'Apothéose de Lulli: VIII. The welcome (both kind and guarded) given to Lully by Corelli and the Italian Muses.
London Baroque
2:22
16
L'Apothéose de Lulli: IX. Lully's thanks to Apollo.
London Baroque
2:40
17
L'Apothéose de Lulli: X. Apollo persuades Lully and Corelli That ... French and Italian styles would make perfection in Music: Essay in the form of an overture.
London Baroque
4:12
18
L'Apothéose de Lulli: XI. Lully plays the subject and Corelli accompanies It (First Air); Corelli plays the subject ...And Lully accompanies It [Second Air]
London Baroque
2:04
19
L'Apothéose de Lulli: XII: The Peace of Parnasus (Trio Sonata): I. Gravement
London Baroque
2:45
20
L'Apothéose de Lulli: XIII. The Peace of Parnasus (Trio Sonata): II. Saillie [Vivement]
London Baroque
1:29
21
L'Apothéose de Lulli: XIV. The Peace of Parnasus (Trio Sonata): III. Rondement
London Baroque
1:38
22
L'Apothéose de Lulli: XV. The Peace of Parnasus (Trio Sonata): IV. Vivement
London Baroque
1:48
23
La Sultane: — - — - Air tendrement - — - Legerement - Vivement
London Baroque
9:43
24
La Steinquerque: Gayement (Bruit de Guerre) - Lentement - Gravement - Legerement - Mouvement de Fanfares - Lentement - Gravement - Gayement
London Baroque
9:49
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Couperin: Apotheoses
