Norma, Act II Scene 1: No. 9a. Introduzione

このアルバムの収録曲

• 1.Madama Butterfly, SC 74, Act I: "Ah! quanto cielo! quanto mar!" (Chorus, Butterfly, Goro)
• 2.Cavalleria rusticana: Preludio. Andante sostenuto
• 3.Les vêpres siciliennes, Act V Scene 2: "Mercé, dilette amiche" (Elena, Chorus)
• 4.In mia man (After "Casta diva" from Bellini's "Norma")
• 5.Norma, Act I Scene 4: No. 4b. Aria, "Casta diva" (Norma, Chorus) [Recorded in Paris, 1958]
• 6.La forza del destino, Act I: Sinfonia. Allegro - Allegro agitato e presto - Andantino
• 7.La traviata, Act III Scene 4: No. 8c. "Addio, del passato" (Violetta) [Recorded in Lisbon, 1958]
• 8.Médée, Act III: Introduzione
• 9.La Gioconda, Op. 9, Act III Scene 6: Danza delle Ore. Moderato - Andante poco mosso
• 10.Médée, Act II: Introduzione
• 11.Macbeth, Act I Scene 5: No. 4b. Cavatina, "Vieni! t'affretta!" (Lady Macbeth) [Recorded in Hamburg, 1959]
• 12.Stormy Weather
• 13.Carmen, WD 31, Act I Scene 4: No. 5. Havanaise, "L'amour est un oiseau rebelle" (Carmen, Chorus) [Recorded in London, 1962]
• 14.10 Pièces de genre, Op. 10: V. Mélodie. Lento ma non troppo, con malinconia
• 15.Sirtaki
• 16.Norma, Act II Scene 1: No. 9a. Introduzione
• 17.Tosca, SC 69, Act II Scene 5: "Vissi d'arte, vissi d'amore" (Tosca) [Unpublished Recording, New York, 1956]
• 18.Tosca, SC 69, Act III Scene 2: "E lucevan le stelle" (Arr. with Clarinet, Cello and Piano)
• 19.La sonnambula, Act II Scene 2: No. 14. Scena e Aria, "Ah! non credea mirarti" (Amina, Enrico)
• 20.Werther, Act III: "Va ! Laisse couler mes larmes" (Arr. for Solo Piano)
• 21.La sonnambula, Act II Scene 2: "Ah! non credea mirarti" (Arr. for Solo Piano)
• 22.Madama Butterfly, SC 74, Act II Scene 1: Intermezzo. Coro a bocca chiusa
• 23.La traviata, Act III Scene 4: "Addio, del passato" (Arr. for Solo Piano)
• 24.Andrea Chénier, Act III: "La mamma morta m'hanno alla porta"
• 25.Gianni Schicchi: "O mio babbino caro" (Lauretta)
• 26.Werther, Act III: "Va ! Laisse couler mes larmes" (Arr. for Solo Piano - Alternative Recorded Version)
• 27.Excerpt from an Interview with Micheline Banzet - Paris, 5 February 1965