A Dialogue between Charon and Philomel: "Charon! O gentle Charon! ... What voice so sweet" (Philomel, Charon)

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• 1.The Firste Booke of Songes, 1597: No. 17, Come Again, Sweet Love doth Now Invite
• 2.The Third and Fourth Booke of Ayres, 1617: No. 14, Neuer loue vnlesse you can
• 3.The Third and Fourth Booke of Ayres, 1617: No. 1, Oft have I sigh'd for him that hears me not
• 4.The Third and Fourth Booke of Ayres, 1617: No. 7, If thou long'st so much to learn
• 5.The Third and Fourth Booke of Ayres, 1617: No. 25, Fain would I wed a fair young man
• 6.Sleep, Adam, Sleep and Take Thy Rest, Z. 195
• 7.Lord, What is Man, Z. 192
• 8.My lovely Celia: "My lovely Celia, heav'nly fair"
• 9.Tell me, lovely shepherd (Arr. Poston)
• 10.Where the bee sucks (from "Nine Shakespeare Songs by Thomas Augustine Arne, 1763")
• 11.Select Ayres and Dialogues, 1669, Book 3: No. 29, A Dialogue Upon a Kisse, "Among thy fancies tell me this ... I shall resolve you"
• 12.A Dialogue between Charon and Philomel: "Charon! O gentle Charon! ... What voice so sweet" (Philomel, Charon)
• 13.A Dialogue between Daphne and Strephon: "Come, my Daphne ... 'Tis Strephon calls" (Strephon, Daphne)
• 14.Giù nei Tartari Regni, HWV 187
• 15.Quando in calma ride il mare, HWV 191
• 16.Come Ye Sons of Art, Z. 323 "Ode for Queen Mary's Birthday": No. 3, Duet. "Sound the Trumpet" (Arr. for Two Voices and Piano)
• 17.Pausanias, Z. 585: No. 2, Song. "My Dearest, My Fairest" (Arr. for Two Voices and Piano)
• 18.The Maid's Last Prayer, Z. 601: No. 2, Song. "No, Resistance Is but Vain" (Arr. for Two Voices and Piano)
• 19.King Arthur, Z. 628, Act II: Duet. "Shepherd, Shepherd, Leave Decoying" (Arr. for Two Voices and Piano)
• 20.English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)
• 21.English Lyrics, Set No. 5: No. 2, Proud Maisie, "Proud Maisie is in the wood" (Allegretto)
• 22.La Belle dame sans merci: "O what can ail thee, knight-at-arms"
• 23.Linden Lea
• 24.3 Songs, Op. 3: No. 1, Love's Philosophy, "The fountains mingle with the river" (Very quick and passionate)
• 25.Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)
• 26.The Fields Are Full: "The fields are full of summer still"
• 27.Pretty Ring Time: "It was a lover and his lass"
• 28.Rest: "On me to rest, my bird my bird"
• 29.Corpus Christi Carol (From A Boy Was Born, Op. 3)
• 30.Comin' Thro' the Rye (Children's Song, Arr. Robert Burns)
• 31.5 Shakespeare Songs: No. 1, Orpheus, "Orpheus with his lute made trees" (Allegro moderato)
• 32.English Lyrics, Set No. 2: No. 1, O Mistress Mine, "O mistress mine, where are you roaming?" (Allegretto)
• 33.Bushes and Briars (Voice and Piano Version)
• 34.5 Shakespeare Songs, Set No. 2, Op. 23: III. It was a lover and his lass (Allegretto moderato)
• 35.Songs Sacred and Profane: No. 4, The Salley Gardens, "Down by the Salley Gardens" (At speaking pace)
• 36.Irish Country Songs, Volume I: No. 7, I know where I'm goin' (Moderato)
• 37.5 Traditional Songs of France: III. Me soui mesocu danso, "Me suis mis en danse" (after Traditional from Quercy)
• 38.Gavotte: "Memories long in music sleeping"
• 39.Let Us Garlands Bring, on Poems by Shakespeare, Op. 18: V. It was a lover and his lass
• 40.Drink to Me only with Thine Eyes (Arr. Ronald Kinloch Anderson)
• 41.Spring Symphony, Op. 44, Pt. 2: VIII. Out on the Lawn I Lie in Bed
• 42.Troilus and Cressida, Act 2 Scene 1: "How can I sleep?" (Cressida)
• 43.Troilus and Cressida, Act 2 Scene 1: "At the haunted end of the day" (Cressida)
• 44.Troilus and Cressida, Act 3 Final Scene: "Diomede!... Father!... Pandarus!" (Cressida)