Daphnis et Chloé, M. 57: Part III: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloè Act out the Story.
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0- 2016.11.04
- 2:06
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- 1.Daphnis et Chloé, M. 57: Part I: Invocation to the Nymphs
- 2.Daphnis et Chloé, M. 57: Part I: Entrance of Daphnis and Chloé
- 3.Daphnis et Chloé, M. 57: Part I: Dance of the Young Girls Around Daphnis
- 4.Daphnis et Chloé, M. 57: Part I: Dorcon's Advance to Chloé
- 5.Daphnis et Chloé, M. 57: Part I: Daphnis Reasserts His Love for Chloé. The Dorcon-Daphnis Dance Contest for a Kiss from Chloé
- 6.Daphnis et Chloé, M. 57: Part I: Dorcon's Grotesque Dance
- 7.Daphnis et Chloé, M. 57: Part I: The Gracious Dance of Daphnis
- 8.Daphnis et Chloé, M. 57: Part I: The Triumph of Daphnis and the Ecstatic Union with Chloé
- 9.Daphnis et Chloé, M. 57: Part I: Entrance of the Temptress Lyceion and Dance of Veils
- 10.Daphnis et Chloé, M. 57: Part I: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé
- 11.Daphnis et Chloé, M. 57: Part I: Invocation to Pan by the Nymphs and the Prayer of Daphnis
- 12.Daphnis et Chloé, M. 57: Part II: Interlude
- 13.Daphnis et Chloé, M. 57: Part II: The Orgiastic Dance of the Pirates
- 14.Daphnis et Chloé, M. 57: Part II: Bryaxis Orders Chloé to Be Brought Forward and to Dance
- 15.Daphnis et Chloé, M. 57: Part II: Chloé's Dance of Supplication
- 16.Daphnis et Chloé, M. 57: Part II: Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone with a Shining Crown
- 17.Daphnis et Chloé, M. 57: Part III: Sunrise. Daphnis Prostrate at the Grotto of the Nymphs
- 18.Daphnis et Chloé, M. 57: Part III: Daphnis and Chloé are Reunited
- 19.Daphnis et Chloé, M. 57: Part III: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloè Act out the Story.
- 20.Daphnis et Chloé, M. 57: Part III: Pan (Daphnis) Fashions a Flute from Some Reeds, on Which He Declares His Love for Syrinx (Chloé)
- 21.Daphnis et Chloé, M. 57: Part III: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs
- 22.Daphnis et Chloé, M. 57: Part III: Girls Dressed as Bacchantes Enter with Tambourines
- 23.Daphnis et Chloé, M. 57: Part III: Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers
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