Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)
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- 1.Beethoven: 交響曲 第3番 変ホ長調 作品55 ≪英雄≫ - 第1楽章: ALLEGRO CON BRIO
- 2.Beethoven: 交響曲 第3番 変ホ長調 作品55 ≪英雄≫ - 第2楽章: MARCIA FUNEBRE(ADAGIO ASSAI)
- 3.Beethoven: 交響曲 第3番 変ホ長調 作品55 ≪英雄≫ - 第3楽章: SCHERZO(ALLEGRO VIVACE)
- 4.Beethoven: 交響曲 第3番 変ホ長調 作品55 ≪英雄≫ - 第4楽章: FINALE(ALLEGRO MOLTO)
- 5.Beethoven: Musical Analysis (Bernstein on Beethoven ́s Symphony No. 3, Op. 55 "Eroica") - I. "Simplicity Itself..." (1st Movt.)
- 6.Beethoven: Musical Analysis (Bernstein on Beethoven ́s Symphony No. 3, Op. 55 "Eroica") - II. "I Always Feel This Gigantism" (2nd Movt.)
- 7.Beethoven: Musical Analysis (Bernstein on Beethoven ́s Symphony No. 3, Op. 55 "Eroica") - III. "We Have Just Been Examining..." (3rd Movt.)
- 8.Beethoven: Musical Analysis (Bernstein on Beethoven ́s Symphony No. 3, Op. 55 "Eroica") - IV. "All That We Have Said" (4th Movt.)
- 9.Beethoven: Musical Analysis (Bernstein on Beethoven ́s Symphony No. 3, Op. 55 "Eroica") - V. "The Study of the Eroica Is a Lifetime's Work,..."
- 10.Dvořák: 交響曲 第9番 ホ短調 作品98 ≪新世界より≫ - 第1楽章: ADAIO - ALLEGRO MOLTO
- 11.Dvořák: 交響曲 第9番 ホ短調 作品98 ≪新世界より≫ - 第2楽章: LARGO
- 12.Dvořák: 交響曲 第9番 ホ短調 作品98 ≪新世界より≫ - 第3楽章: SCHERZO(MOLTO VIVACE)
- 13.Dvořák: 交響曲 第9番 ホ短調 作品98 ≪新世界より≫ - 第4楽章: ALLEGRO CON FUOCO
- 14.Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - I. "Does This Music Sound Like the New World to You?" (3rd Movt.,Trio II; 1st Movt.)
- 15.Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - II. "We Come Now to the Second Movement, Which Has a Charming Melody, ..." (2nd Movt.)
- 16.Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - III. "The 3rd Movement Is a Marvel of Ingenuity and Deftness" (3rd Movt.)
- 17.Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - IV. "And Now the Last Movement. In General I Should Say That This Is the Most Slavic of All" (4th Movt.)
- 18.Dvořák: Musical Analysis: Bernstein on Dvo?ák, Symphony No. 9, Op. 95, B. 178 "From The New World" - V. "The Final Claim of Those Who Argue for the New World Symphony as American Music, ..." (4th Movt.,Cont.)
- 19.Schumann: 交響曲 第2番 ハ長調 作品61 - 第1楽章:SOSTENUTO ASSAI - UN POCO PI? VIVACE - ALLEGRO MA NON TROPPO - CONF
- 20.Schumann: 交響曲 第2番 ハ長調 作品61 - 第2楽章: SCHERZO(ALLEGRO VIVACE)
- 21.Schumann: 交響曲 第2番 ハ長調 作品61 - 第3楽章: ADAGIO ESPRESSIVO
- 22.Schumann: 交響曲 第2番 ハ長調 作品61 - 第4楽章: ALLEGRO MOLTO VIVACE
- 23.Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - I. "Robert Schumann Has Been Dead..." (3rd Movement, Opening Theme)
- 24.Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - II. "To My Mind Schumann Follows in This Tradition"
- 25.Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - III. "Now Let ́s Look at the Symphony Itself" (1st Movement)
- 26.Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - IV. "And So We Have Arrived at the Allegro Section..." (1st Movement Cont.)
- 27.Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - V. "In The Marvellous Scherzo That Follows..." (2nd Movement)
- 28.Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - VI. "But Perhaps the Greatest Beauty..." (3rd Movement)
- 29.Musical Analysis: Bernstein on Schumann, Symphony No. 2, Op. 61 - VII. "Even in the Final Movement" (4th Movement)
- 30.Brahms: 交響曲 第4番 ホ短調 作品98 - 第1楽章: ALLEGRO NON TROPPO
- 31.Brahms: 交響曲 第4番 ホ短調 作品98 - 第2楽章: ANDANTE MODERATO
- 32.Brahms: 交響曲 第4番 ホ短調 作品98 - 第3楽章: ALLEGRO GIOCOSO - POCO MENO PRESTO - TEMPO I
- 33.Brahms: 交響曲 第4番 ホ短調 作品98 - 第4楽章: ALLEGRO ENERGICO E PASSIONATO - PI? ALLEGRO
- 34.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - I. "Brahms ́ 4th Symphony in E Minor is Today ..." (4th Movt., Opening Theme)
- 35.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - II. "Our Journey Begins Without Introduction..."
- 36.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - III. "Do You See Now What a Symphonic Theme Is?"
- 37.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - IV. "Now, Think of It - We Have So Far Only Had 44 Bars of Music"
- 38.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - V. "Here Is That 2nd Theme"
- 39.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - VI. "This Brings Us to the Development Section Proper"
- 40.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - VII. And Here We Are Back Home, Ready for the Rehearing of the Exposition..."
- 41.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - VIII. "So We Arrive at the Coda"
- 42.Brahms: Musical Analysis: Bernstein on Brahms, Symphony No. 4, Op. 98, 1st Movement - IX. "Well, We Have Had a Microscopic Look at Symphonic Method"
- 43.Tchaikovsky: 交響曲 第6番 ロ短調 作品74 ≪悲愴≫ - 第1楽章: ADAGIO - ALLEGRO NON TROPPO
- 44.Tchaikovsky: 交響曲 第6番 ロ短調 作品74 ≪悲愴≫ - 第2楽章: ALLEGRO CON GRAZIA
- 45.Tchaikovsky: 交響曲 第6番 ロ短調 作品74 ≪悲愴≫ - 第3楽章: ALLEGRO MOLTO VIVACEI
- 46.Tchaikovsky: 交響曲 第6番 ロ短調 作品74 ≪悲愴≫ - 第4楽章: FINALE(ADAGIO LAMENTOSO)
- 47.Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - I. "Now There Is A Melody, A Pure Orchestral Song..." (1st Movt.)
- 48.Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 2. "Now The Development Section Erupts..." (1st Movt. Cont.)
- 49.Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 3. "Now One Would Think That Tchaikovsky Had Really Exploited the Device of Scales" (2nd Movt)
- 50.Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 4. "Jumping Now to the Famous Third Movement, The Great March..." (3rd Movt.)
- 51.Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 5. "Perhaps the Most Admirable Example of This Is To Be Found in the Wonderful Last Movement, ..." (4th Movt.)
- 52.Tchaikovsky: Musical Analysis: Bernstein on Tchaikovsky's Symphony No. 6, Op. 74 "Pathétique" - 6. "Now I Don ́t Want To Give You the Impression That Scales Are the Only Unifying Force in This Work"
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