Onegin: Tatiana's Variation. General Dance - Quarrel. Onegin and Lensky (After Eugen Onegin, Op. 24)
Track byJohn Lanchbery
754
1- 2010.11.05
- 4:45
歌詞
The first time I laid eyes on you it was love for me It never crossed my mind about all I couldn't see Now suddenly there's more than me you're living for I go to you and find a stranger at your door. One and one and one is one too many And I can't understand your reasons why But one and one and one is one too many So, let me be the one to say goodbye. You say God blessed you with two good men And you can't choose 'cause in different ways We both mean the world to you And you're wonderin' now if somehow I could live with that But God above wouldn't call this love so I want out. One and one and one is one too many And I can't understand your reasons why But one and one and one is one too many So, let me be the one to say goodbye. Honey, let me be the one to say goodbye...
このアルバムの収録曲
- 1.Onegin: Opening Scene - Dance of the Young Girls (After Eugen Onegin, Op. 24)
- 2.Onegin: Lensky's Variation - Pas de deux. Lensky and Olga (After Eugen Onegin, Op. 24)
- 3.Onegin: Scene. Onegin and Tatiana - Onegin's Variation (After Eugen Onegin, Op. 24)
- 4.Onegin: Finale of Opening Scene (After Eugen Onegin, Op. 24)
- 5.Onegin: Tatiana's Bedroom. Apparition of Onegin - Pas de deux (After Eugen Onegin, Op. 24)
- 6.Onegin: Opening Waltz (After Eugen Onegin, Op. 24)
- 7.Onegin: Tatiana's Variation. General Dance - Quarrel. Onegin and Lensky (After Eugen Onegin, Op. 24)
- 8.Onegin: Duel and Death of Lensky (After Eugen Onegin, Op. 24)
- 9.Onegin: Grande Polonaise (After Eugen Onegin, Op. 24)
- 10.Onegin: Russian Dance (After Eugen Onegin, Op. 24)
- 11.Onegin: Final Scene - Tatiana Rejects Onegin (After Eugen Onegin, Op. 24)
- 12.Suite No. 3 in G Major, Op. 55: IV. (a) Theme. Andante con moto
- 13.Suite No. 3 in G Major, Op. 55: IV. (b) Variation I. Tempo del tema
- 14.Suite No. 3 in G Major, Op. 55: IV. (c) Variation II. Molto più mosso
- 15.Suite No. 3 in G Major, Op. 55: IV. (d) Variation III. Tempo del tema
- 16.Suite No. 3 in G Major, Op. 55: IV. (e) Variation IV. Tempo del tema
- 17.Suite No. 3 in G Major, Op. 55: IV. (f) Variation V. Allegro risoluto
- 18.Suite No. 3 in G Major, Op. 55: IV. (g) Variation VI. Allegro vivace
- 19.Suite No. 3 in G Major, Op. 55: IV. (h) Variation VII. Moderato
- 20.Suite No. 3 in G Major, Op. 55: IV. (i) Variation VIII. Largo
- 21.Suite No. 3 in G Major, Op. 55: IV. (j) Variation IX. Allegro molto vivace
- 22.Suite No. 3 in G Major, Op. 55: IV. (k) Variation X. Allegro vivo e poco rubato
- 23.Suite No. 3 in G Major, Op. 55: IV. (l) Variation XI. Moderato mosso
- 24.Suite No. 3 in G Major, Op. 55: IV. (m) Finale. Polacca
- 25.Symphony No. 3, Op. 29 "Polish": II. Alla tedesca. Allegro moderato e semplice
- 26.Symphony No. 3, Op. 29 "Polish": III. Andante elegiaco
- 27.Symphony No. 3, Op. 29 "Polish": IV. Scherzo. Allegro vivo
- 28.Symphony No. 3, Op. 29 "Polish": V. Finale. Allegro con fuoco
- 29.Piano Concerto No. 2 in G Major, Op. 44: I. Allegro brillante e molto vivace
- 30.Piano Concerto No. 2 in G Major, Op. 44: II. Andante non troppo
- 31.Piano Concerto No. 2 in G Major, Op. 44: III. Allegro con fuoco
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