歌詞
By the rivers of Babylon There we sat down Yeah we wept as we remembered Zion For the wicked carried us away Captivity Required of us a song How can we sing the Lord's song in a strange land So let the words of my mouth And the meditation of my heart Be acceptable in Your sight Oh Lord
このアルバムの収録曲
- 1.I am Harry Partch
- 2.By the Rivers of Babylon
- 3.Texts and Music: A Wagnerian Wrestling Match
- 4.17 Lyrics of Li Po: A Dream
- 5.17 Lyrics of Li Po: An Encounter in the Field
- 6.17 Lyrics of Li Po: On Hearing the Flute
- 7.17 Lyrics of Li Po: The Intruder
- 8.17 Lyrics of Li Po: I am a Peach Tree
- 9.17 Lyrics of Li Po: With a Man of Leisure
- 10.17 Lyrics of Li Po: A Midnight Farewell
- 11.17 Lyrics of Li Po: Before the Cask of Wine
- 12.17 Lyrics of Li Po: On the Ship of Spicewood
- 13.17 Lyrics of Li Po: By the Great Wall
- 14.The Use of English in Serious Music
- 15.Barstow: 8 Hitchhikers' Inscriptions
- 16.San Francisco: a Setting of the Cries of Two Newsboys on a Foggy Night in the Twenties
- 17.Life is too precious to spend it with important people
- 18.US Highball: a Musical Account of a Transcontinental Hobo Trip
- 19.My Heart Keeps Beating Time
- 20.San Francisco II
- 21.I'm going to start right off by giving you some sounds...
- 22.2 Settings from Finnegans Wake: No. 1. Isobel
- 23.2 Settings from Finnegans Wake: No. 2. Annah the Allmaziful
- 24.Dark Brother
- 25.A Quarter-Saw Section of Motivations and Intonations: Prelude to Talk
- 26.A Quarter-Saw Section of Motivations and Intonations: Introduction to Examples Oo Intonation
- 27.A Quarter-Saw Section of Motivations and Intonations: Scale of Olympos (Pentatonic)
- 28.A Quarter-Saw Section of Motivations and Intonations: Enharmonic Scale of Archytas; Separated by 3/2's; Triads
- 29.A Quarter-Saw Section of Motivations and Intonations: Scale of Pythagoras; Separated by 3/2's; Triads
- 30.A Quarter-Saw Section of Motivations and Intonations: Ptolemaic Intense Diatonic; Separated by 3/2's; Triads
- 31.A Quarter-Saw Section of Motivations and Intonations: Ptolemy's Equable Diatonic; Separated by 3/2's
- 32.A Quarter-Saw Section of Motivations and Intonations: Terpander's Hexatonic
- 33.A Quarter-Saw Section of Motivations and Intonations: Close Degrees
- 34.A Quarter-Saw Section of Motivations and Intonations: True and Tempered Triads
- 35.A Quarter-Saw Section of Motivations and Intonations: Resolutions from p. 186 of Genesis of a Music; Resolution p. 187; "Familiar" Resolution
- 36.A Quarter-Saw Section of Motivations and Intonations: Fox-Strangeways Resolutions
- 37.A Quarter-Saw Section of Motivations and Intonations: Tonal Flux from Genesis, p. 188; Tonal Flux from The Letter and Third Chorus of Oedipus; Another p. 188; Tonal Flux from Antiphony of Oedipus, "O Crowding Woods..."
- 38.A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Antiphony of Oedipus, "O Crowding Woods..."
- 39.A Quarter-Saw Section of Motivations and Intonations: Multiple Tonal Senses from Dark Brother, "and we who were lost are found again..."; "until our hearts are corrupted, out talent wasted, and our hope gone."; "Have we not known triumph, joy, and glory on
- 40.A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Street, "Down Maxwell Street, where the prostitutes stand in the gloom...", U.S. Highball, "Back to the freights for you, boy."
- 41.A Quarter-Saw Section of Motivations and Intonations: Melodic Subtleties from The Bewitched
- 42.A Quarter-Saw Section of Motivations and Intonations: Instrumental Tunings: Harmonic Canon I as in Revelation; Petals; Chromelodeon two sets of reeds; Revelation
- 43.A Quarter-Saw Section of Motivations and Intonations: Dissonances and Consonance: Coda to Oedipus; Coda to Revelation
- 44.Bitter Music: June 11, 1935 — Santa Rosa, California
- 45.Bitter Music: June 12 — Federal Shelter, Stockton
- 46.Bitter Music: June 13
- 47.Bitter Music: June 14
- 48.Bitter Music: June 16 — Harrington Ranch, San Joaquin Delta
- 49.Bitter Music: June 17
- 50.Bitter Music: July 4
- 51.Bitter Music: July 14
- 52.Bitter Music: July 16
- 53.Bitter Music: July 19
- 54.Bitter Music: July 20 — Heading North, Between Sacramento and Redding
- 55.Bitter Music: July 24 — Federal Shelter, Portland
- 56.Bitter Music: July 25 — Blue Ox Lodge, Seattle, Washington
- 57.Bitter Music: July 27
- 58.Bitter Music: July 29
- 59.Bitter Music: July 30
- 60.Bitter Music: August 7 — Between Grants Pass and Klamath Falls, Oregon
- 61.Bitter Music: August 15
- 62.Bitter Music: October 22 — Nearing Monterey
- 63.Bitter Music: October 24 — Leaving Big Sur
- 64.Bitter Music: October 25 — Near Slate's Hot Springs
- 65.Bitter Music: October 26
- 66.Bitter Music: October 27
- 67.Bitter Music: October 28
- 68.Bitter Music: October 29
- 69.Bitter Music: October 30 — Big Creek
- 70.Bitter Music: November 12 — Santa Barbara
- 71.Bitter Music: November 14
- 72.Bitter Music: November 15 — Leaving Santa Barbara
- 73.Bitter Music: November 16 — Ojai
- 74.Bitter Music: November 17
- 75.Bitter Music: November 23 — Los Angeles
- 76.Bitter Music: November 28
- 77.Bitter Music: December 4
- 78.Bitter Music: December, 1935
- 79.Bitter Music: February 1, 1936 — San Bernardino
- 80.Yankee Doodle Birds
- 81.Yankee Doodle Fantasy
- 82.2 Settings from Lewis Carroll: O Frabjous Day!
- 83.You are charged with being guilty. Are you drunk or not?
- 84.Ring Around the Moon, a Dance Fantasm for Here and Now
- 85.Bless This Home
- 86.Harrys Wake
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