歌詞
I'm standing here Looking at my sword Which reflects my troubled eyes, Eyes that have seen more than a man can see. So many battles I've fought So many enemies I've killed The face of every single I can remember Desperate and full of agony At dawn another battle awaits me Will this be the last dawn for me? I'm the mightiest of warriors I'm the mightiest of warriors! But am I only human? Will I die as those I've killed? At the end only death will win At the end only death will win! death will win
このアルバムの収録曲
- 1.Music: Folias (Imperfectas) [Harp]
- 2.Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"
- 3.La Folia: "Yo Soy La Locura"
- 4.Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico
- 5.Narration VII (3): Folly’s Origins
- 6.Recercada quarta sobre la Folia
- 7.Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)
- 8.Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)
- 9.La Gamba In Basso, E Soprano (1564)
- 10.Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca
- 11.Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
- 12.Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
- 13.Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
- 14.Si habrá en este baldrés (C. M. Palacio No. 179)
- 15.Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)
- 16.Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli]
- 17.Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)
- 18.Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)
- 19.Browning my Dear
- 20.Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)
- 21.Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)
- 22.Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)
- 23.Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)
- 24.Todos los buenos soldados (La Guerra)
- 25.Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia
- 26.Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)
- 27.Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)
- 28.Saltarello (Mss. Venezia)
- 29.Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)
- 30.Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa
- 31.Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)
- 32.La Spagna (XVth Century)
- 33.Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)
- 34.Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)
- 35.Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)
- 36.Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)
- 37.Diferencias Sobre ‘Las Vacas’ (Harp)
- 38.Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)
- 39.Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)
- 40.Makam “Muhayyer pesrev” (Ottoman War March) [15th Century]
- 41.Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)
- 42.Saltarello: Une musque de Buscaye (Instrumental)
- 43.A Florence la joyose cité (C. M. Montecassino No. 6)
- 44.Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata
- 45.Audi, benigne Conditor (C. M. Montecassino No. 40)
- 46.Taskim & Dance (Ottoman)
- 47.Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)
- 48.Lavava y suspirava (Anonymous Sephardic)
- 49.Malor me bat (Odhecaton, No. 63)
- 50.Benedic anima mea (Ps. 103, 1-3)
- 51.Narration 4: "Epitaph for the Peerless Musician Johannes Ockeghem" / Music: Fortune par ta cruaulté
- 52.La déploration sur la mort de Johannes Ockeghem
- 53.“Latura tu” (Instrumental) [Odhecaton No. 94]
- 54.Narration 5: "Panegyric to Philip the Fair" (1504) / Music: Adieu mes amours (Improvisation Harp)
- 55.Hélas madame, passamezzo (Henry VIII mss.10)
- 56.Narration 6, Adage 3415: "Love Makes Men Musicians" / Music: De tous biens plaine (C. M. Montecassino No. 85)
- 57.Frottola: In te Domine speravi (C. M. Palacio No. 84)
- 58.Narration 7: "Enchiridion. The Importance of the Classics" / Music: Ave maris stella (C. M. Montecassino No. 76) [Harp]
- 59.Puzzle-Canon II (Henry VIII mss.)
- 60.Scaramella va alla guerra
- 61.Narration 8, Adage 3001: "War Is Sweet to Those Who Have Not Experienced It" / Music: Fanfares & Tambours Vexilla Regis (C. M. Montecassino No. 106)
- 62.Danza Alta (Instrumental) [C. M. Palacio No. 321]
- 63.Narration 9: "Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly"
- 64.Home Again, Market Is Done (Margaret Board Lute Book)
- 65.Paduana del Re (Mss. Venezia)
- 66.Narration 10: "Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp)
- 67.La Spagna, à 5
- 68.Narration 11: "Erasmus. Education of the Christian Prince" (1516) / Music: imno XVI (Instrumental)
- 69.Music: Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214)
- 70.Narration 12: "Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I
- 71.Adoramus te Domine (Montecassino mss. No. 4)
- 72.Narration 13: "Erasmus. The Complaint of Peace" / Music: Mille regrets (Viols)
- 73.Balad: Ya es Tiempo de Recoger
- 74.Narration 14: "Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ)
- 75.Benedictus a 3
- 76.Narration 15: "Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519)" / Music: In Nomine a 5
- 77.Vingtcinquiesme Fantasie. A Quatre
- 78.Narration 16: "Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ)
- 79.Narration 17: "Erasmus of Rotterdam to Luther - On Free Will" (1524) / Music: In Nomine a 5 Free from All
- 80.Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)
- 81.Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)
- 82.Gazel (Ottoman Song)
- 83.Tu pauperum refugium
- 84.Narration 19: "Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533)
- 85.Christ ist Erstanden à 6
- 86.Narration 20, Adage 2100: "Words Are the Physicians of Ailing Souls" / Music: Now o Now
- 87.In Nomine a 5 My Death
- 88.Pie Jesu (Requiem)
- 89.Narration 21: "Erasmus Dies at Basel" (Stefan Zweig, 1934)
- 90.Plangite Pierides (Lament on the Death of Erasmus)
- 91.Narration 22: "Erasmus’s Spiritual Legacy" (Stefan Zweig) / Music: Durezze e ligature (Instrumental)
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