Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
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- 1.Music: Folias (Imperfectas) [Harp]
- 2.Narration I (1): "By Her Mere Presence, Folly Dissipates the Cares of her Audience"
- 3.La Folia: "Yo Soy La Locura"
- 4.Narration III (2): "On How Folly Is Prompted to Sing her Own Praises" / Music: Passamezzo Antico
- 5.Narration VII (3): Folly’s Origins
- 6.Recercada quarta sobre la Folia
- 7.Narration VIII (4): "Her Birthplace, Her Infancy" / Music: Folias de la costa (Harp)
- 8.Narration IX (5): "Her Followers" / Music: Folias de la costa (Cont.)
- 9.La Gamba In Basso, E Soprano (1564)
- 10.Narration X (6): "Folly’s Claims to be Admitted to the Council of the Goddesses / Music: Romanesca
- 11.Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
- 12.Narration XI (7): "On How She Perpetuates the Human Race" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
- 13.Narration XII (8): "On How She is the Source of Happiness in Life" / Music (Cont.): Folía: "Rodrigo Martinez" (From the Villancico of C. M. Palacio No. 12)
- 14.Si habrá en este baldrés (C. M. Palacio No. 179)
- 15.Narration XIII (9): "Of the Connection Between Folly and Childhood and the Second Childhood of Old Age" / Music: Las Vacas (Improvisation Harp)
- 16.Diferencias Sobre Las Vacas (Anonymous Improvisation) [C. M. Medinaceli]
- 17.Narration XIV (10): "On How She Prolongs Infancy and Halts Old Age" / Music: Folías antiguas (C. M. Palacio No. 121)
- 18.Narration XVI (11): "Of Folly’s Pre-Eminence in the World" / Music: Harke, harke (Gamba Viol)
- 19.Browning my Dear
- 20.Narration XIX (12): "Folly Is Necessary to Friendship" / Music: Belle qui tiens ma vie (Harp Improvisation)
- 21.Narration XX (13): "There Is No Lasting Marriage Without the Complicity of Folly" / Music (Cont.): Belle qui tiens ma vie (Harp Improvisation)
- 22.Juan del Enzina. Cucú, cucú, cucucú! (C. M. Palacio No. 94)
- 23.Narration XXI (14): "Folly Is the Blessing of Human Society" / Music: Paduana del re (Mss Venezia)
- 24.Todos los buenos soldados (La Guerra)
- 25.Narration XXIII (15): "She Inspires Warfare" / Music: Pavana La Battaglia
- 26.Narration XXV (16): "Of the Inferiority of Wisdom in all of Life’s Circumstances" / Music: Vederlo (Improvisation)
- 27.Narration XXVIII (17): "She Is the Mother of the Arts" / Music: My Lady Carey’s Dompe / Danse Tune English Tradition (Harp)
- 28.Saltarello (Mss. Venezia)
- 29.Narration XXIX (18): "She Claims the Credit for True Wisdom" / Music: Las Vacas (Harp Improvisation)
- 30.Narration XXX (19): "On Folly as a Guide Towards Wisdom" / Music: Pavana con su Glosa
- 31.Narration XXXII (20): "Of the Relationship Between Folly and Ignorance" / Music: Desperada (Elizabethan)
- 32.La Spagna (XVth Century)
- 33.Narration LV (21): "Folly of Kings" / Music: Las Vacas (Romanesca)
- 34.Narration LVII – LIX (22): "Folly of Bishops, Cardinals and Supreme Pontiffs" / Music: Estas noches a tan largas (Instrumental - C. M. Calabria No. 26)
- 35.Narration LXVI (23): "Relationship Between the Christian Religion and Folly" / Music: Patres nostri peccaverunt (C. M. Montecassino No. 2)
- 36.Narration LXVII (24): "Folly is the Sovereign Good" / Music: Dios te salve, Cruz preciosa (Instrumental C. M. Palacio No. 434)
- 37.Diferencias Sobre ‘Las Vacas’ (Harp)
- 38.Narration LXVIII (25): "Farewell to the Reader" / Music: Folias Portuguesas (Harp)
- 39.Villancico (Égloga 6): Hoy comamos y bevamos (C. M. Palacio No. 174)
- 40.Makam “Muhayyer pesrev” (Ottoman War March) [15th Century]
- 41.Narration 1: "Letter by Erasmus. The War Against the Turks" / Music: Taksim (Improvisation Santur)
- 42.Saltarello: Une musque de Buscaye (Instrumental)
- 43.A Florence la joyose cité (C. M. Montecassino No. 6)
- 44.Narration 2, Adage 145: "Fortune Smiles on the Bold" / Music: Fortuna desperata
- 45.Audi, benigne Conditor (C. M. Montecassino No. 40)
- 46.Taskim & Dance (Ottoman)
- 47.Narration 3: "Erasmus of Rotterdam and the Jews" / Music: Las estrellas de los cielos (Sephardic)
- 48.Lavava y suspirava (Anonymous Sephardic)
- 49.Malor me bat (Odhecaton, No. 63)
- 50.Benedic anima mea (Ps. 103, 1-3)
- 51.Narration 4: "Epitaph for the Peerless Musician Johannes Ockeghem" / Music: Fortune par ta cruaulté
- 52.La déploration sur la mort de Johannes Ockeghem
- 53.“Latura tu” (Instrumental) [Odhecaton No. 94]
- 54.Narration 5: "Panegyric to Philip the Fair" (1504) / Music: Adieu mes amours (Improvisation Harp)
- 55.Hélas madame, passamezzo (Henry VIII mss.10)
- 56.Narration 6, Adage 3415: "Love Makes Men Musicians" / Music: De tous biens plaine (C. M. Montecassino No. 85)
- 57.Frottola: In te Domine speravi (C. M. Palacio No. 84)
- 58.Narration 7: "Enchiridion. The Importance of the Classics" / Music: Ave maris stella (C. M. Montecassino No. 76) [Harp]
- 59.Puzzle-Canon II (Henry VIII mss.)
- 60.Scaramella va alla guerra
- 61.Narration 8, Adage 3001: "War Is Sweet to Those Who Have Not Experienced It" / Music: Fanfares & Tambours Vexilla Regis (C. M. Montecassino No. 106)
- 62.Danza Alta (Instrumental) [C. M. Palacio No. 321]
- 63.Narration 9: "Erasmus of Rotterdam to his Dear Friend Thomas More on the Publication of Praise of Folly"
- 64.Home Again, Market Is Done (Margaret Board Lute Book)
- 65.Paduana del Re (Mss. Venezia)
- 66.Narration 10: "Machiavelli’s The Prince" / Music: Gallarda di Venosa (Harp)
- 67.La Spagna, à 5
- 68.Narration 11: "Erasmus. Education of the Christian Prince" (1516) / Music: imno XVI (Instrumental)
- 69.Music: Taksim & Makam «Rast Murass’a» (mss. Cantemir No. 214)
- 70.Narration 12: "Thomas More’s Utopia: On Justice and Social Prosperity" / Music: Puzzle-canon I
- 71.Adoramus te Domine (Montecassino mss. No. 4)
- 72.Narration 13: "Erasmus. The Complaint of Peace" / Music: Mille regrets (Viols)
- 73.Balad: Ya es Tiempo de Recoger
- 74.Narration 14: "Letter from Martin Luther to Erasmus (28th March 1519)" / Music: Psalm: A solis ortus cardine (Organ)
- 75.Benedictus a 3
- 76.Narration 15: "Letter from Erasmus of Rotterdam to Martin Luther (30th May 1519)" / Music: In Nomine a 5
- 77.Vingtcinquiesme Fantasie. A Quatre
- 78.Narration 16: "Letter from Martin Luther to Erasmus (15 April 1524)" / Music: Psalm: Christ ist Erstanden (Organ)
- 79.Narration 17: "Erasmus of Rotterdam to Luther - On Free Will" (1524) / Music: In Nomine a 5 Free from All
- 80.Pavane “La Bataille” (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)
- 81.Narration 18: "Letter from Erasmus of Rotterdam to King Francis I of France" (16th June 1526) / Music: Pavane 14 (Anonymous Published by Jacques Moderne in “Music de Joie” Lyon, ca. 1540)
- 82.Gazel (Ottoman Song)
- 83.Tu pauperum refugium
- 84.Narration 19: "Martin Luther to Erasmus, The Bondage of the Will" / Music: Psalm: Christ lag in Todes (Published by Martin Luther in 1533)
- 85.Christ ist Erstanden à 6
- 86.Narration 20, Adage 2100: "Words Are the Physicians of Ailing Souls" / Music: Now o Now
- 87.In Nomine a 5 My Death
- 88.Pie Jesu (Requiem)
- 89.Narration 21: "Erasmus Dies at Basel" (Stefan Zweig, 1934)
- 90.Plangite Pierides (Lament on the Death of Erasmus)
- 91.Narration 22: "Erasmus’s Spiritual Legacy" (Stefan Zweig) / Music: Durezze e ligature (Instrumental)
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